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杂志· 中文

每日专题：波斯金属工艺、伊朗手工艺、地毯、雕塑与世界金属艺术——原创研究与原创写作，以十二种语言轮流呈现。

Tehran, Iran, Golestan Palace The lavish Golestan Palace is a masterpiece of the Qajar era, embodying the successful integration of earlier Persian crafts and architecture with Western influences. The walled Palace, one of the oldest groups of buildings in Teheran, became the seat of government of the Qajar family, which came into power in 1779 and made Teheran the capital of the country. Built around a garden featuring pools as well as planted areas, the Palace’s most characteristic features and rich ornaments date from the 19th century. It became a centre of Qajari arts and architecture of which it is an outstanding example and has remained a source of inspiration for Iranian artists and architects to this day. It represents a new style incorporating traditional Persian arts and crafts and elements of 18th century architecture and technology. (Unesco)
中文·unesco craft cities iran·2026年9月9日

伊朗手工艺与民间艺术之都：UNESCO 创意城市与千年匠心的现代回响

深入探索伊朗被联合国教科文组织认可的手工艺重镇，解析从卡尚的建筑美学到多元民间艺术的文化传承。

阅读约 11 分钟 →
Painting, portrait of Nadir Shah seated on a carpet, oil on canvas, probably Tehran, 1780s or 1790s This painting is a portrait of Nadir Shah Afshar, one of the most important figures in Iranian history of the last 300 years. Nadir Shah was a brilliant military commander of humble origins who rose through the ranks due to his talent. He was a key figure in the restoration of order in Iran after the Afghan invasion of his country in 1722. At first, he worked in the name of members of the previous dynasty, the Safavids. In 1736, however, he declared himself Shah, and he ruled with considerable success until his assassination in 1747. He established a large and effective army that had few rivals in Asia. With it he repulsed the Ottomans and Russians from Iranian territory and conducted a successful invasion of the Mughal empire in what is now Pakistan and northern India. He defeated the Mughal army in 1739 and seized the capital, Delhi. Among the loot he acquired was the Mughal emperor's jewels, which are still kept in the Central Bank of Iran in Tehran. This is one of only two portraits of Nadir Shah in oils that survive, but they both seem to date from the late 18th century, several decades after his death. The Shah is shown wearing weapons and other accoutrements (armbands, belt, hat band etc.) that are jewelled with precious stones understood to be from the Mughal treasure. The carpet on which he sits is also Mughal. Painting, oil pigments on canvas, portrait of Nadir Shah. Frame height: 179cm Frame width: 116.5cm Weight: 60kg (Rough estimate of weight framed and glazed) Frame depth: 7.5cm
中文·2026年8月27日

恺加王朝人像艺术：解码伊朗19世纪王室视觉叙事与宏伟肖像画

探索从法特赫·阿里·沙到宫廷乐师的写实与象征艺术，领略波斯绘画的巅峰时代。

阅读约 10 分钟 · qajar portraiture
Tonbak, a Persian percussion instrument.
中文·2026年8月14日

波斯地毯鉴赏指南：探索伊朗手工编织艺术的千年历史与收藏价值

从大不里士的诗意图景到伊斯法罕的皇室传统，深度解析世界顶级手织艺术的精髓与选购技巧。

阅读约 11 分钟 · persian carpets
Painting, portrait of Nadir Shah seated on a carpet, oil on canvas, probably Tehran, 1780s or 1790s This painting is a portrait of Nadir Shah Afshar, one of the most important figures in Iranian history of the last 300 years. Nadir Shah was a brilliant military commander of humble origins who rose through the ranks due to his talent. He was a key figure in the restoration of order in Iran after the Afghan invasion of his country in 1722. At first, he worked in the name of members of the previous dynasty, the Safavids. In 1736, however, he declared himself Shah, and he ruled with considerable success until his assassination in 1747. He established a large and effective army that had few rivals in Asia. With it he repulsed the Ottomans and Russians from Iranian territory and conducted a successful invasion of the Mughal empire in what is now Pakistan and northern India. He defeated the Mughal army in 1739 and seized the capital, Delhi. Among the loot he acquired was the Mughal emperor's jewels, which are still kept in the Central Bank of Iran in Tehran. This is one of only two portraits of Nadir Shah in oils that survive, but they both seem to date from the late 18th century, several decades after his death. The Shah is shown wearing weapons and other accoutrements (armbands, belt, hat band etc.) that are jewelled with precious stones understood to be from the Mughal treasure. The carpet on which he sits is also Mughal. Painting, oil pigments on canvas, portrait of Nadir Shah. Frame height: 179cm Frame width: 116.5cm Weight: 60kg (Rough estimate of weight framed and glazed) Frame depth: 7.5cm
中文·2026年7月19日

恺加王朝肖像画中的权力与美学：波斯19世纪油画艺术的色彩革命

探索恺加时代大型油画如何通过融合波斯传统与欧洲技法，重新定义伊朗王室与社会的视觉身份。

阅读约 10 分钟 · qajar portraiture
A handicraft, sometimes more precisely expressed as artisanal handicraft or handmade, is any of a wide variety of types of work where useful and decorative objects are made completely by hand or by using only simple tools.
中文·2026年6月23日

织入世界遗产的灵魂：探寻伊朗的联合国手工艺与民间艺术之城

从大不里士的地毯到萨南达季的弦音，这些城市是伊朗活态文化遗产的璀璨灯塔。

阅读约 14 分钟 · unesco craft cities iran
JP 沖繩 Okinawa 那霸市 Naha City 沖繩縣立 博物館 Okinawa Prefectural Museum outdoor sculpture in February 2026
中文·2026年6月8日

熔炉、铸造与意志：全球视野下的现代金属艺术变迁

从纳什尔雕塑中心到西雅图的先锋空间，深度探讨重金属艺术如何在当代语境中重塑空间秩序

阅读约 10 分钟 · global metal art